Panorama of Sarnen See
Overview:
1901, cinematography by Frank Ormiston-Smith
Recommendations for you
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The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
Naqoyqatsi
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A Decade Under the Influence
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
Chronos
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
They'll Love Me When I'm Dead
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These Amazing Shadows
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Making Waves: The Art of Cinematic Sound
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Lost in La Mancha
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Directed by John Ford
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Seduced and Abandoned
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As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
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Roundhay Garden Scene
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
180° South
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Halloween: 25 Years of Terror
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Burden of Dreams
The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
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To Kill a Tiger
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Come See Me in the Good Light
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