Generations of the Algerian War
The Generations of the Algerian War project brings together members of the National Office for Veterans and Victims of War (ONACVG), which, since 2015 and under the scientific guidance of three historians specializing in the period – Raphaëlle Branche, Jean-Jacques Jordi, and Abderahmen Moumen – has been working alongside the French Ministry of Education to provide teachers with resources for teaching about the Algerian War. A diversity of perspectives is highlighted through the choice of speakers: FLN and OAS militants, a Pied-Noir (French settler in Algeria), the son of a Harkis (Algerian Muslim who fought for the French during the Algerian War), a Jewish woman from Algeria, and French conscripts, all contributing to the construction of a collective memory. The ravages of colonization, forced exile, the transmission of trauma… Each of the three sessions addresses a theme related to the speakers' life experiences and explores different facets of this war.
Raï Is Not Dead
What musical genre can claim to have gone, in the space of fifty years, from a hidden cabaret in Oran to Super Bowl halftime? Born in Algeria at the end of the Second World War, the raï wave spread from the cabarets of western Algeria to the cassette shops of Barbès in Paris, before sweeping the world at the end of the 1980s. its hybridization, the intoxicating music traveled from Algerian and French weddings to the biggest international stages, before suddenly disappearing from the radar at the dawn of the new millennium. Icons that have disappeared, including Cheikha Remitti and Prince Hasni, to young heirs, passing by the star Khaled, the collector Hadj Sameer trace the tumultuous course of this musical genre, between clandestinity, planetary glory and resistance.
L’Incendie (El Harik)
In 1939 in eastern Algeria, Omar, a young boy of ten, lives with his family in a room in Dar Sbitar, a house shared by several families who overcome the trials they go through every day to ensure their subsistence. Her deceased father is Aïni, the mother, who bleeds herself from all four veins to keep her children and their grandmother alive. The families of Dar Sbitar share their intimacy and their daily life, this life animates the big house, which itself becomes a character in its own right. "El Harik" (The Fire), is an Algerian drama series in 10 episodes adapted from Mohamed Dib's trilogy "The Big House", "The Fire" and "The Loom".
Algérie secrète
L'Algérie des chimères
Through the fictionalized lives of two young Saint-Simonians, this television film presents the history of French colonization in Algeria from 1837 to the end of the Second Empire.