Clase 406
Overview:
The realistic chronicles of a working class group of Hispanic youth, with heavy subject matter like sex, drug dealing, teen pregnancy, abuse, drinking, rape, deception, and heartbreak.
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Mi Pequeña Traviesa
Mi Pequeña Traviesa is a Mexican youth and family telenovela produced and directed by Pedro Damián for Televisa and originally broadcast on Canal de las Estrellas from December 8, 1997, to April 24, 1998. It is an adaptation of the Argentine telenovela Me llaman Gorrión, created by Abel Santa Cruz. The telenovela stars Michelle Vieth and Héctor Soberón. The story follows Julia González, a young woman whose dreams of pursuing a professional career are interrupted after her father is left paralyzed in an accident. To support her family, she disguises herself as a boy in order to find work. Along the way, she falls in love with Alberto Miranda, and together they must overcome social differences, family conflicts, and the many obstacles that stand in the way of their happiness.
La hija del Mariachi
Emiliano, a wealthy Mexican businessman, is ripped off by his friends and partners. Hidden in Bogotá, he receives help from Rosario, a mariachi singer. She does not know Emiliano’s background and that he is wanted by the police of two countries and by a criminal organization. With a new name and personality, he adapts well to his new life as a mariachi band member and finds in Rosario the love of his life. But he is afraid his secret will tear them apart. He needs to clear his name and resolve his case to avoid that fate. Meanwhile, he often finds his love tested and vulnerable to several rivals, but Rosario always trusts that he has been honest with her.
Tomorrow is forever
Fernanda is the youngest daughter of the landowner Gonzalo Elizalde, owner of a large dairy company, and Eduardo is the son of Soledad, the Elizalde family's housekeeper. The two children have grown up together, united by an innocent and pure love, despite the difference in social class.
Los Parientes Pobres
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Quinceañera
Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.
Corazón salvaje
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La doble vida de Estela Carrillo
After witnessing a murder, single mother Estela Carrillo must hide the fact that she is an undocumented immigrant escaping a dark past. While hiding her secret, romantic interests and her dream of becoming a singer complicate her plans.
The Lady from Vendaval
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Amor Real
True love threatens to tear a family apart in this epic Mexican serial set in the 1800s. Rich and beautiful Matilde falls in love with Adolfo, but her mother, Augusta, disapproves of the relationship when she learns Adolfo is poor. Augusta forces her daughter to marry rich and handsome Manuel Fuentes Guerra, but Matilde plays with fire by continuing to be with Adolfo. Adela Noriega, Fernando Colunga, Helena Rojo and Chantal Andere star.
Los ricos también lloran
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The Return
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Burden of Guilt
Paulino Córdoba, Gabino Roura, Rodolfo Huerta, and Matías Quiroga have been friends since childhood; however, as adults, their priorities shifted, and a sin now threatens to destroy their friendship. Paulino owns the El Milagro apple hacienda and is married to Rosario; they have two children, César and Lucrecia. Rosario has always favored her son while openly rejecting her daughter. Lucrecia was raised by Delfina, Rosario’s maid and Manuel’s mother.
Miss XV
Miss XV follows the story of two teenage best friends, Valentina and Natalia, (who were born on the same day at the same hour), who dream of the perfect quinceañera birthday party, and long to become the girlfriends of their respective crushes, Niko and Eddy.
Unforgettable
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Corona de lágrimas
When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.
El Privilegio de Amar
Juan de la Cruz, a young seminarian, visits the home of his mother, Ana Joaquina—a religious zealot who has always imposed her will on her son and instilled in him a calling to serve God. Working in Ana Joaquina’s household is Luciana, an innocent, dreamy young woman who falls in love with Juan de la Cruz. One night, swept up in the passion of youth, they give in to their feelings with tenderness and innocence. Upon discovering this, Ana Joaquina throws Luciana out; by then, Luciana is already pregnant with Juan de la Cruz’s child. When the time comes to give birth, she leaves her daughter at a stranger's doorstep, hoping the child will be raised there, but the baby is instead taken to an orphanage. To survive, Luciana becomes involved with a series of unsavory men—including Pedro Trujillo, a brutal man who beats and abuses her.
La Malquerida
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Shadows of the Past
Two very different families live in the village of Santa Lucía who are involved in a whirlwind of passion, pain, and revenge. The rivaling families are the Mendozas and the Alcocers. Severiano Mendoza and Candela Santana are a rich and powerful marriage who live at the ranch, "Las Ánimas", along with their young son, Cristóbal. Roberta and Raymundo Alcocer also have a daughter named Alonza; however, they do not live with the same luxuries as the Mendoza family, which causes frustration and resentment in Roberta as nothing is enough to fill the inferiority complex that follows her like a shadow.
Laws of love
The story of two lawyers specializing in family law, Ricardo and Alejandra, that despite coming from two disappointments and being in a world where it seems that love loses strength, before so much divorce, they still have faith in finding true love.