Movies

|TV Shows
Kagerō
8.0

Kagerō

A man drifts through a carnival, lost somewhere between play and purpose. He buys a toy gun. Pretends to be a hero. For a few fleeting moments, the world bends to his imagination. Shot in a Wong Kar Wai-esque mood of a half-remembered dream. Colored lights, quiet stares, and the heat haze of make-believe.

I Saw Her. I Saw Him.
0.0

I Saw Her. I Saw Him.

A girl in a cheongsam stares silently by a bridge overlooking a river.

14 Seconds of Indifference (By A Cosmic Deity Watching Me)
0.0

14 Seconds of Indifference (By A Cosmic Deity Watching Me)

Against the backdrop of a dying Tacloban, an underqualified teenager struggles to secure employment in a ruthless city that has no place for him. Worse still, he discovers that a rising artificial intelligence program threatens to steal all the work reserved for man. In his search for meaning for himself and for the city he calls home, he finds out a cosmic entity has been quietly watching him.

Unique Pieces
0.0

Unique Pieces

Mei and Tristan reminisce about their now past relationship as he returns a gift that she bought for him while Mei notices that Tristan still has a token of her love which he wears on him, always.

O Doce Sal dos Seus Fadigosos Lábios
8.0

O Doce Sal dos Seus Fadigosos Lábios

His House Has No Roof
0.0

His House Has No Roof

A man thinks his life of loneliness is forever changed when he is visited by a mysterious figure, but nothing lasts forever.

3 Regisseure - 3 Welten - 1 Kurzfilm
0.0

3 Regisseure - 3 Welten - 1 Kurzfilm

Loneliness and the Sheep
10.0

Loneliness and the Sheep

We follow the trip of a heartbroken man. Long after his break up, he cannot let it leave his mind continuously searching for meaning in every mundane thing, only to ultimately find peace in the carelessly afraid sheep at the footsteps of Mont Saint-Michel.

Drifting with Purpose
0.0

Drifting with Purpose

Dedicated to and inspired by the art of Wong Kar-Wai. Made on a budget of £0 by a 17 year old. This is 15 months in the making.