Portrait of a Lady on Fire
On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.
Chica Quinqui
After the tragic and sudden death of her father, Isabel, a 17-year-old girl, is forced to move to a neighborhood on the outskirts of Valencia and start from scratch in a high school where she is bullied. There she meets Lola, a troubled teenager who her family forces to sell drugs and commit crimes. Isabel and Lola will have to team up to get ahead. Together they will forge a great friendship and end up discovering love.
EFC
In this adrenaline-fueled story, the world of women's mixed martial arts is rocked by an explosive showdown between reigning champion Cassady Jones and rising star Alexa Star. The clash of these two titans sends shockwaves through the EFC, as the future of the sport hangs in the balance.
The Good, The Bad, and the Beautiful
A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.
Brainwashed: Sex-Camera-Power
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
Prüdes Hollywood - Laster, Lust und Leidenschaft im Film
In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.
Varda by Agnès
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
Truth
Belgrade, 2022: A photojournalist is threatened by right-wing extremist groups in her Serbian home and flees to Germany with her daughter. But then she also experiences increasing strong threats and attacks in her new home.
As Time Goes By
Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.
Two Bodies on a Beach
A woman wakes up on a beach tied in a plastic press wearing only underwear and high heels. “Not again”, she sighs and decides to track down the enemy and strike back. She gets a companion from an older woman, who has been pushed to the borders of society. During their journey through classical cinematic landscapes these nameless women from different generations struggle to connect and understand each other’s perspectives while their passion for men and male attention gets in away.
Kāinga
Eight Pan-Asian female filmmakers’ powerful anthology film illuminates the immigrant experience in Aotearoa New Zealand through the lives of eight Asian women connected by the house they call home.
Illusions
A woman in a Hollywood dubbing studio struggles with race and preconceptions. The short film depicts the life of an African American woman passing as a white woman working in the film industry during the 1940s. It calls attention to the lack of African Americans in the film industry during that era.
Bangville Police
A young farm maid overhears two cow-hands talking in the barn, and she becomes convinced they’re about to rob her. She barricades herself in a room and calls the police. Her call wakes the chief, who rallies the country justice constabulary and they set off toward the farm, in steam-car and on foot. Meanwhile, the maiden’s parents rush to save her. Everything points toward a showdown in the barn, where no one, including the police force, will be cowed.
Written By
What do fictional characters do with the rest of their lives, once their stories have been told? This charmingly offbeat, deadpan fantasy attempts to answer that question.
He
A story told in four parts, "He" explores the swell of poetic love and the breathless aftermath of its heartache.
She Who Must Be Loved
A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.
Ink Between the Lines
After the devastating suicide of her best friend Coli, 15 year old Natalie turns to journaling to cope with her overwhelming grief. Struggling with guilt and isolation, she pours her emotions onto the page and joins a support group for teens. A deep conversation with Ezra, a friend who understands silent pain, inspires her to transform her journal entries into a novel. As Natalie writes, she begins to confront hidden truths about her friendship with Coli, unspoken struggles, and the weight of what was left unsaid. Through storytelling, she finds healing, connection, and the courage to speak the truth—not just for herself, but for others who need to hear it.
The Third Generation
The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.
Dollusional
Dottie, a lonely and bored woman becomes obsessed with James, a new employee at the vintage store where she works. When Dottie discovers a spell that can turn a person into a doll, she decides to cast it on James, believing it will make him hers forever.
Livescreamers
A popular group of video game content creators must face the ultimate lesson in teamwork when a haunted multiplayer game begins killing them one by one.