Je me souviendrai... de presque tout
Le temps des femmes ?
Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.
The Way We Move
Amber Galloway, a trailblazer in ASL interpretation, takes us on a journey into the deep bond between the Deaf world and music. We follow her as she teaches struggling recruits who she hopes will have what it takes to join her at ACL music festival.
Hair, Paper, Water...
She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after. Sometimes, she dreams of her dead mother calling her home – to the cave.
Les Glucksmann, une histoire de famille
Lazer Team
Four losers are thrust into the position of saving the world when they stumble upon a UFO crash site and become genetically equipped to the battle suit on board.
U.V.F: Underground Video Films
Presented as a forbidden TV broadcast, this horror anthology revives unsettling short films from the world.
Those Who Come, Will Hear
The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
Native
Two scientists are selected to travel across the universe to the source of a distant transmission and potential life.
The Bat Ear
Lucie was born with a protruding ear that she got from her mother. In this documentary she tries to find answers in her fathers' features.
Si je meurs, je viendrai vous le dire
Un été à la ferme - L'âge d'or
A documentary following 12-year-old Paul and his brother Germain during a transformative summer in rural France. The film explores the loss of innocence as Paul confronts the harsh financial and physical realities of his family's farming livelihood, highlighting the father-son bond and an uncertain future.
Si j'étais sage-femme
What the Forest conceals
CE QUE CACHE LA FORÊT (What the Forest conceals) explores the invisible inheritance we carry within us: that of the family unconscious passed down from generation to generation. Personalities as varied as psychologist Anne Ancelin Schützenberger, systemic therapist Bert Hellinger and artist Alexandro Jodorowsky have, each in their own way, revealed the existence of these unresolved stories that profoundly influence our lives. Today, epigenetic research confirms that trauma can mark our genome, and be passed on beyond those who experienced it. But how do these memories get inscribed in us? How can they be recognized, overcome and healed? Filmmaker Louis Mouchet shares his own journey through this deeply personal film. This process was nourished by : The making of and follow-up to the film La Constellation Jodorowsky, An introspective dive triggered by the death of his mother and the simultaneous birth of his first child, A powerful session with Romanian therapist Cristina Schmidt.
DERNIER SHABBAT
The last scene
In a neighbourhood without a certain future, some peoples are willing to offer a last show...
Entre nos mains (In our hands)
Das Retirée or the last house of my father
If you were to design your dream house now that you're at the end of your life, what would it look like? This question from the filmmaker to her father, retired architect Karlhans Pfleiderer, is the starting point of Das Retirée or the last house of my father. Slowly but surely, the house takes form, first drawn on shifting layers of transparent paper, then glued into a scale model. Between the words and the gestures, the film of the daughter becomes the father’s last house, a space in which unspoken words, unfulfilled desires can appear, disclosing coping-mechanisms that have survived several generations.