El Topo
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
Crow Hand
A Husband gets more than he bargains for when he picks up a mysterious crow totem off the ground, much to his Wife's chagrin.
Wishcraft
Brett is a high-school outcast who doesn't run with the in crowd, unlike Samantha, the cheerleader he has a desperate crush on. Then one day, he gets a parcel in the mail -- a totem with the power to grant his deepest, darkest desires. Brett wishes for Samantha to love him, and she does, although after a while her affection starts leaning toward obsession. Then murders start occurring in the school, which Brett gradually starts to connect to the totem.
House of Fears
The night before a local haunted house opens for Halloween, six friends sneak in for a few hours of fun. Soon after entering, they find themselves trapped inside with no way out.
Winterbeast
People are being killed off near a popular New England mountain lodge, with a legend claiming that the mountain is haunted by a deadly Native American demonic curse.
Totem
Ama, the daughter of Senegalese asylum seekers, feels completely Dutch. When Ama's mother and brother are arrested, Ama sets off in search of her father through Rotterdam in the middle of winter, hoping to avoid deportation. During this frightening and exciting journey, she discovers her roots, thanks in part to her extraordinary totem animal: a gigantic porcupine.
Totem: Return and Renewal
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
This Was the Time
When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.
