Paapi
When Ramesh marries Kusum and hopes to have a better future, things don't go well and in a series of events a cow is accidently killed in his fields. Ramesh has to live in exile as a part of the punishment. Punishment takes a toll on the couple and Ramesh descends into madness. Slowly animals and human die in the village and people blame Kusum because of her past. A pandemic hits the village and villagers had to flee. Having served his sentence Ramesh returns to the empty village like a king.
Moneyboys
Fei works illegally to support family, but they reject his lifestyle. Through Long, Fei finds hope, until encountering Xiaolai, his past love, who makes him confront his guilt.
The Call of the Forest
Aurora
Psychological portrait of the villages in the Portuguese countryside in the early 1980s, through the homonymous character who observes her own life through the eyes of a porcelain doll.
Chronique Des Années Tristes
Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited
Sortes
Beneath the harvest sun and the cicada song, Mónica Martins Nunes builds a touching portrait of Serra de Serpa, an arid region in the south of Portugal affected by rural exodus. The poems sung by the shepherds and market traders resonate like the last gesture of a human landscape which resists sinking into oblivion.
