Lost Paradise: Riding Habit Harakiri
Directed by Masami Akita,who is also one of Japan's leading noise musicians under the name Merzbow. With a soundtrack by the director himself, this intense and ultra-gory seppuku film shows a young woman taking her own life by an act of ritual harakiri.
Patriotism
Two characters on a Noh stage dramatize the rite of love and death of Lieutenant Shinji Takeyama and his wife Reiko.
Female Harakiri: Glorious Death
Part of the Zankoku-bi: Onna harakiri 01 series.
The Heretics
A young girl is abducted by a man, who claims that a cult is hunting her. His goal is to protect her until sunrise but while restrained, the young girl falls deathly ill. While her friends and family search for her, the source of her illness becomes more and more apparent. She’s not sick…she’s changing.
Household Saints
A chronicle of three generations of Italian-American women struggling to get by in post-World War II New York’s Little Italy.
EXALTATION
Snarky grandma accepts her mahjong partner’s invitation to a "women’s self help group"… soon realizes it AIN’T what she signed up for.
Head Count
Newcomer Evan joins a group of teens on a getaway in Joshua Tree. While exchanging ghost stories around the campfire, Evan reads aloud a mysterious chant from an internet site. From that moment, someone - or something - is among them.
Beautiful Swordswomen: Double Seppuku
The only difference with this one as opposed to the other "entries" - is this one has 2 girls committing suicide, and they are outdoors and wearing samurai style outfits as opposed to Japanese robes or some other "costume". Also, they stab themselves with samurai swords instead of the typical shorter ritual knives...
School Girl: Harakiri
A school girl kneels on her mat looking over an old photo album containing pictures of people committing seppuku. Becoming aroused by what she sees, she touches herself and licks her fingertips. She pulls out a knife of her own, takes off her uniform, and in a very fetishistic manner proceeds to slit open her stomach and then pull out her guts.
White Clothing: Harakiri
A black and white preface shows a woman in a traditional kimono climbing the stairs as WWII era Mitsubishi Zeros fly through the sky and footage of the Japanese military of the era is superimposed over the footage. She stops at the top of the stairs to say her prayers, rings a bell, and heads inside where the footage is shot in color. She unravels her kimono and rubs her face with the cloth before wrapping her blade and lovingly touching it. She pulls it across her stomach and slits herself open, falling to the mat. She crawls across the mat, dying, slipping in her own slick blood until she can't move anymore.
Fin de vie : pour que tu aies le choix
Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.