Ghuza da Sher
The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.
Nothing Happens
An immigrant in Istanbul, the Russian filmmaker finds himself caught between a rock and a hard place: on the one hand, his legal status becomes uncertain amid the turbulence of Turkish presidential elections, on the other hand, the crackdown on dissent in Russia makes his return impossible. In these circumstances he turns to the legacy of Moscow conceptualism, an art movement, which existed under the radar of Soviet authorities, to make a film that would convey his sentiment yet pass through the needle’s eye of censorship.
The Day of No One
A silent day unfolds on the slope of a mountain… A child exists alongside his mother and father, yet each of them seems to inhabit a different world. With no dialogue, the film relies on visual storytelling. In certain close-up shots, color fades to black and white; symbolizing moments of inner solitude, personal conflict, and emotional disconnection. The unseen distances within the family are revealed not through words, but through images.