Sientje
A simplistically rendered girl screams and cries, and her environment changes to reflect her thoughts and mood.
Meet, Greet & Bye
A mother, who loves watching K-dramas, decides to stop her chemo treatment after losing hope of getting better. Her only dream before dying is to meet her ultimate K-drama idol, who is visiting Manila for a series of events. Her four children agree to work together with the condition that once their mother meets their idol, she will undergo therapy before her time runs out.
FOSH 2
When two brothers attend a family dinner, tensions escalate until the unexpected happens
La reina mora
When Esteban, Coral's boyfriend, is imprisoned for quarreling with a troublemaker who was trying to harass her, she decides to lock herself up in a Sevillian house to share his misfortune.
The Fence
Two dogs react to each other at a fence.
Fosh: The Movie
A inflammatory story of two isolated and disillusioned Iranians in America. Two men who find no way to enter human society.
Vengeance
John Meadham, in charge of a West African trading post, wires the home office in London that he is tired and worn out and that they need to send a replacement to take over. The company sends a stiff upper-lipper, Charles Summers, accompanied by his wife, Margaret. An antagonism develops between the two men from the moment Summers arrives.
West of El Dorado
Johnny and Alibi try to straighten out a hostile young boy whose older brother was a notorious stagecoach bandit. When a gang of thieves try to strong-arm the kid into revealing the whereabouts of the stolen loot, Johnny and Alibi come to the rescue. There's a cursory romantic subplot involving heroine Mary and Barstow.
I Think You're Totally Wrong: A Quarrel
On the first day of shooting, James Franco, David Shields, and Caleb Powell throw out the script when a real-life argument breaks out between the three of them about what can and can't be used in the film. Shields and Franco browbeat Powell to sacrifice everything for the sake of the film; Powell threatens to leave; Shields feels guilty about betraying Powell; and Franco wants Shields and Powell to confess all for the sake of the film. A debate, nearly to the death, about life and art.