Urtajo
A toxic spill threatens the town of Urtajo: tackle the problem or cover it up? Javier will learn that not everything can be bought with money.
Fragments/Palestine
Produced whilst the genocide in Gaza was being broadcast live, the essay film Fragments/Palestine uses a montage of historical archive footage, television broadcasts and photographs to take a stand on the responsibility of Western media, thereby formulating its arguments into a militant manifesto in solidarity with the Palestinian struggle for liberation.
The Damned Of The Earth
Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.
Bela America
Lucas, the cook, seduces America, the television star and presidential candidate. He will clandestinely enter her house to seduce her with extraordinary meals, causing the unlikely intersection of the fate of Lucas, the cook, with that of America, the President.
Pretty Land And Green Its Sighs
A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.
Please Wait In Line
A college student, Julia Ponce, is tasked with writing a reflection essay about what it means to wait. But as deadlines pile up and her condition worsens, her own life slowly becomes the answer. Caught between family responsibilities, systemic delays, and a healthcare system that keeps asking her to wait a little longer, Julia is forced to confront a difficult question: When does patience stop being hopeful—and start becoming dangerous? More than a narrative film, Pila Na Lang Dito is structured as a visual essay composed of fragments of a 'panganay's' life slowly moving toward a collapse the film promises from the very beginning.
