The Scars
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Jigarthanda DoubleX
A notorious gangster is incited to transform into a film hero and opts for a filmmaker and their project descends into a scenario they had never anticipated.
Brother
Sons of Caribbean immigrants, Francis and Michael face questions of masculinity, identity and family amid the pulsing beat of Toronto's early hip-hop scene. A mystery unfolds when escalating tensions set off a series of events which changes the course of the brothers’ lives forever.
Algea: God of Pain
A man wakes up in the middle of the street with no idea where he is or how he ended up there. Soon he is forced to confront the demons he is battling within before a gateway to the underworld unlocks the secret of Algea the God of Pain.
The Monopoly of Violence
As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.
Quarta-feira
Here We Drown Algerians
In response to the call of the Front de libération nationale (F.L.N., the National Liberation Front), thousands of Algerians from Paris and its surroundings march on October 17, 1961, to protest against the curfew imposed on them. This peaceful demonstration will be violently put down by the police. 50 years on, the filmmaker sheds light on this still taboo subject. Blending testimony and unseen archive footage, history and memory, past and present, the film relates the different stages in these events and reveals the strategy and methods applied at the highest level of the French state: manipulation of public opinion, the systematic challenge of every accusation, the censoring of information in order to prevent investigation.
Le transformateur
One day, I walked from my childhood apartment to the transformer in Clichy-sous-Bois where Zyed Benna and Bouna Traoré were electrocuted on October 27, 2005.
The Blinding of Isaac Woodard
In 1946, Isaac Woodard, a Black army sergeant on his way home to South Carolina after serving in WWII, was pulled from a bus for arguing with the driver. The local chief of police savagely beat him, leaving him unconscious and permanently blind. The shocking incident made national headlines and, when the police chief was acquitted by an all-white jury, the blatant injustice would change the course of American history. Based on Richard Gergel’s book Unexampled Courage, the film details how the crime led to the racial awakening of President Harry Truman, who desegregated federal offices and the military two years later. The event also ultimately set the stage for the Supreme Court’s landmark 1954 Brown v. Board of Education decision, which finally outlawed segregation in public schools and jumpstarted the modern civil rights movement.
It’s Nice in Here
A fragmented portrait of a moment, a person, and a place, seen through the subjective memories of a young Black girl, Imani, and a rookie police officer, David, who both have wildly different recollections of the same fateful moment in a corner store that will leave their lives altered forever.
Broken Eyes
Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.
We Are George Floyd
On May 25th, 2020, Derek Chauvin, a European-American Minneapolis police officer, murdered George Floyd, a black man, by driving his knee into George's neck for 8 minutes and 45 seconds until he died. This film chronicles New York City's overwhelming response.
Under the Grey Sky
Based on true events, a Belarusian journalist is arrested after covertly livestreaming brutal government crackdowns on peaceful demonstrators following rigged elections. Her husband, refusing to leave her, also faces recriminations from a regime determined to break them both.
October 17, 1961: A day that went missing
This documentary bears witness to the events that took place more than thirty years before the filming of this movie, on October 17, 1961, in Paris, during the Algerian War. It is a work not only about historical truth but also about memory. Constructed primarily from interviews conducted with those involved in the events, along with archival footage, photographs, and radio broadcasts from the time, our investigation proves that nearly 200 Algerians were killed (drowned, tortured) that night and in the days that followed by the French police. "A Missing Day" seeks to ask two key questions: how could such events have unfolded in the capital of a Western democracy barely thirty years ago? And why have they been silenced ever since?
Kein Freund, Kein Helfer – Lorenz und die Einzelfälle
Zoot Suit Riots
On August 1, 1942, a 22-year-old Mexican American man was stabbed to death at a party. To white Los Angelenos, the murder was just more proof that Mexican American crime was spiraling out of control. The police fanned out across LA, netting 600 young Mexican American suspects. Almost all those taken into custody were wearing the distinctive uniform of their generation: Zoot Suits. The tragic murder and the injustice of the trial that followed, coupled with sensational news coverage of both, fanned the flames of the racial hostility that was already running rife in the city. Within months of the verdict, Los Angeles was in the grip of some of the worst violence in its history.
MINGUETTES 1983 - Paix sociale ou pacification ?
Les Feux de la Saint-Jean
I Am France
The film features emblematic figures of the fight against police brutality in France: Ramata Dieng, sister of Lamine Dieng, Assa Traoré, sister of Adama Traoré, as well as Mahamadou Camara, brother of Gaye Camara, Farid El Yamni, brother of Wissam El Yamni, and Awa Gueye, sister of Babacar Gueye. The film also includes rare intimate interviews of young men of color from 'Banlieues' (working class neighborhoods) who expose how they have endured police repression throughout their lives and how it has impacted them.
