Luz: The Flower of Evil
In the thickness of the mountains, in an isolated community led by a preacher known as El Señor, a presumed new Messiah is brought, unleashing a wave of violence and pain.
50mm
Will is a very young boy who inherited his passion for photography from his father. When one day he discovers some photos taken at his house, he will try to figure out what is really hiding behind those shots.
DOUBOUT OUBIEN MÔ
Since August 2024, in Martinique, a popular protest movement against the high cost of living has been reemerging under the leadership of the RPPRAC (Rassemblement Pour La Protection Des Peuples Et Des Ressources Afro-Caribéens – Gathering for the Protection of Afro-Caribbean Peoples and Resources). On the island, food prices are on average 54% higher than in mainland France.* Through various cultural figures, the people of Martinique are expressing their anger and seeking concrete solutions. *Source: Kiprix, Price comparison between supermarkets in the French overseas territories and mainland France.
How to hold a cloud to the ground
When she arrives in a new world, Isabela is tasked with discovering her true essence. Watched by Shadow, the guardian of this ghostly place, Isabela meets other travelers and reevaluates her memories, relationships and emotions.
The Multi-Coloured Little Circus
A boy is locked into the Bastille metro station and discovers a clown. They both escape from the station and find themselves center stage at the circus.
Transitional Seasons
A young couple gets ready for a ceremony. Emilia is not dressed yet and Pietro is struggling with his tie and also very annoyed about a speech he has to give. While they talk around their house, time travels back and forth revealing different phases of their life.
Observing as the World Burns
Observing as the World Burns: Poems is an evocative, introspective short film that transforms lines of verse into raw visual poetry—confronting the dual forces of personal introspection and outward chaos. Anchored by cinematic performances, layered voice-over, and an emotive soundscape, the film embodies the tension between witnessing life’s unraveling and finding meaning within it. Rather than dramatizing action, this film immerses the viewer in the experience of attention—the act of watching, contemplating, and articulating what it means to be alive. At the same time, everything feels like it’s burning. It is both a cinematic poem and a visual diary—an invitation to witness, feel, and reflect alongside the narrator.
