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Clonage
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Clonage

Through vocal play and performance, this work by Alain Pelletier explores the concept of Asexual reproduction.

Shakuntala DuBois
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Shakuntala DuBois

The Broke People's Baroque Peoples' Theater engages questions of economic inequity, artistic patronage, and a culture of excess (or excess of culture). It is: obsessed with classical allusion, doomed to camp, adorned in costume, engaged in masquerade and surrounded by sculpture. With a queer attitude toward cheap materials, the Broke People's Baroque People's Theater decorates itself in a hyper-feminine aestheticism to undermine class(y) distinctions of taste. A wealth of poverty, the chintzy is rich.

Back At It
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Back At It

There are thousands of comedians in New York City, performing every night, working hard for laughs from the world's toughest audience. What happens to them when the city that never sleeps grinds to a halt? When the comedy clubs close and no one is laughing? "Back At It" is a chronicle of the tumultuous summer of 2020 in New York, through the eyes of a diverse group of comedians who hustle to keep their comedy alive and to stand out from the throng. It follows them as they take to the streets, rooftops, and parks to entertain a city ravaged by the Covid-19 pandemic. It asks how the art of standup changes when the traditional systems and established hierarchy no longer exist? Who will evolve and raise their voice?

Really Happy Someday
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Really Happy Someday

A rising musical theatre star struggles with his changing voice during his gender transition. With the help of a singing coach, he learns to trust himself, reclaim his career, and reconnect with the people he loves.

Pianowork 2
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Pianowork 2

Pianowork 2 is an animated recording of me playing Jürg Frey’s ‘Klavierstück 2’ at Mimic Productions in Berlin on 22 June 2023. It was a very hot, early summer’s day. Mimic created a ‘digital double’ of me, scanning my head and hands. It was the first time I’d used a computer-generated figure with my own likeness. I played the piece at an upright piano, wearing a sensor-filled Lycra onesie with a head-mounted rig holding an iPhone a short distance from my face. I tried very hard to do what Frey’s score asks. I counted the beats in the vast rests, the 468 instances of the same fourth, the precisely instructed micro-shifts of tempo. I worried about and tried to depress the keys with the correct pianissimo dynamic to follow the previous decayed chord played 40 seconds prior. This agonising pace makes for a terrific mounting of anxiety.

RMB City Opera
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RMB City Opera

RMB City Opera is an experimental theatrical play inspired by the ‘Eight Model Works’, a propaganda opera from the Chinese Cultural Revolution. On the borderline between past and future, between classic and contemporary realities, the performance explores the connections between real and virtual identities, using both physical and virtual spaces as a stage for interaction between actors and avatars.

Until You Stop Breathing
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Until You Stop Breathing

Surrounded by reflections of color, an ephemeral being explores the ethereal, sweet, and dangerous nature of sexual affection for another. It yearns to desire, but also to be desired.

Мурзик
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Мурзик

Above Above, Below Below
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Above Above, Below Below

A Brazilian performance artist Vanesa Cardoso living in Newfoundland, Canada explores the figures of her Pochinko clown, discovering a desire to expose the comedy of our deepest vulnerabilities - the very ones that make us human. A creative journey through Richard Pochinko's seven masks and six directions, Vanessa reveals her clown while musing on the personal drive and struggles that inspire her art.

CAST
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CAST

Where do I go from Here?
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Where do I go from Here?

Where do I go from here is a performance arthouse-style film exploring the nostalgia of the concept of home in terms of home as a feeling rather than the architectural structure. Inspired by multiple factors resonating the concept of home, including diaspora, belonging and longing, the artist questions the idea of home through and through, along with the constant search for the idea of "home".

103 Shots
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103 Shots

Responding to the mass shooting at Pulse nightclub in Orlando, Florida, 103 Shots examines the disorienting effect of violence in the space of intimacy.

My Name Is The Sound I Use To Introduce Myself
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My Name Is The Sound I Use To Introduce Myself

A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.

Dance Gavin Dance: The Pantheon Live from Anaheim
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Dance Gavin Dance: The Pantheon Live from Anaheim

Watch Dance Gavin Dance perform at their sold out show live from the House of Blues Anaheim on The Pantheon Tour.

Free Anxiety
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Free Anxiety

Anxiety frightens, but can it be used to improve ourselves?

Também se chamavam Sonhos
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Também se chamavam Sonhos

A documentary from Recife that follows the story of five friends, transforming memories into an audiovisual time capsule. Created as a graduation project in Design by Carlos Pontes (UFPE), the film unfolds as a collective letter seeking to eternalize not only memories, but also the intensity and restlessness of those who find in art, friendship, and acceptance a way of existing.

Maud Madison, La Danse Serpentine
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Maud Madison, La Danse Serpentine

The Spectacular Dancer in five NEW bewildering and sensational dances (#233-237). [This is likely the first of the five from the 1897 Catalogue: Edison and International Photographic Films.]

Free paths maker
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Free paths maker

This documentary deals with the great injustice and pain caused by anti-personnel mines and demands the urgent need for all the countries involved to sign the demining protocols. The short begins with a 24-hour isolation carried out by the author in a hole/crater in the middle of the desert to empathy with the Saharawi people, from there progressively through their commitment and coexisting for getting close to the reality of the victims of antipersonnel mines and their everyday live. Denunciations and wishes of this people who have suffered a hard exile are verbalized. In parallel, the author is interviewing, listening, sharing and designing an ingenuity that he is building to exploit the mines. The melphas (costume of the Sahrawi woman) make up the sail that moves the wheels that trace with phosphate powder the path with the word FREE and end up exploiting the mine, to show the inhuman damage it cause. A call for peoples to sign demining protocols urgently.

Saia da minha casa
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Saia da minha casa

Something is staring at me from the corners of my house.

Windows Rainbows & Dinos 2010.02.11
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Windows Rainbows & Dinos 2010.02.11

Jon Satrom's prepared desktop realtime performance: Windows, Rainbows, & Dinos was a part of the CAA 2010 Live Cinema Summit at Columbia College in Chicago. This is a recording of the realtime performance.