Mahmoud Darwish: As the Land Is the Language
Accompanying from a place to another the poet who spent years in exile far from his native land of al-Birwa, in Haifa, Cyprus, Tunis, Amman, Paris, Cairo and Ramallah.
The Visitor
Kareem’s family has lived in Jerusalem for many generations. Him and his best friend, Elias, travel around villages and giving ghost tours, conning naive tourists through their company they call “Holy Ghost Tours.” They tell tourists the story about the mythical Ghouleh of Jerusalem his Teta (grandmother) told him, a demon from her old village who steals people’s memories.
Hakawati, the Last storytellers
Despite their children's reluctance, Radi and Mounira, a 65-year-old puppeteer couple, set off on tour between Israel and Palestine in their outdated van. They are exhausted from having to set up and take down the stage, from performing three shows in a row in front of hundreds of wild children under a burning sky. Lost in Jericho, frightened by the bombs falling near Majd Al Shams, destabilized by the Bedouin children of the Negev unable to determine their own identity, they no longer know if their mission is still relevant. Safeguarding the identity of their people through their shows, but at what cost? A quest for Palestinian identity.
If Birds Believed in God
The story follows a day in the life of Ismail, a Palestinian photographer whose American upbringing was shaped by his grandfather’s displacement during the 1948 Palestine Nakba. When Ismail’s mother gifts him his grandfather’s keffiyeh—a traditional Palestinian scarf—it triggers an internal struggle between shame and pride in his cultural identity, all unfolding against the ominous backdrop of rising violence against Palestinians.