Movies

|TV Shows
Found Faces
★0.0

Found Faces

FOUND FACES explores untold stories from the point of view of everyday objects unnoticed by the public. Unvarnished and personal stories told from the street that are compelling, comic, surreal, emotionally engaging, but always entertaining.

How to Live Together
★0.0

How to Live Together

Six roommates share a cramped four bedroom apartment. One moves out. Another moves in. In the process, the precarious balance of their routines is comically disrupted.

Troca
★10.0

Troca

Purranormal
★0.0

Purranormal

Kyklop
★0.0

Kyklop

The short film poem KYKLOP is dedicated to a mechanical eye as an autonomous being. Round wheels and targets similar to him seem to arouse the interest of this main character. The atmosphere is thundery, thunderous. It reminds of the cyclopean thunder demons from the "Theogony" of the ancient Greek poet Hesiod. KYKLOP (2023) is another autonomous part of the film cycle by Telemach Wiesinger and Alexander Grebtschenko that began with TURBULENCE (2022) and its pairs of mechanical wings.

Pour ne pas oublier l'invisible
★0.0

Pour ne pas oublier l'invisible

Reminder
★0.0

Reminder

The phenomenon that occurs in a room full of objects from the past allows Ulises to temporarily recover his memory.

Meditations, Volume 3: Words as Sculpture, Their Shapes as Sound
★0.0

Meditations, Volume 3: Words as Sculpture, Their Shapes as Sound

In Words as Sculpture, Their Shapes as Sound, the protagonist performed by soprano Emili Losier, compares the styles of Sylvia Plath, whose use of onomatopoeia seemingly creates its own soundtrack on the page, to that of Clarice Lispector, whose rich descriptions of object, place, and material, seem to burst off the page as actual physical structures. Citing both of these methodologies as key to her own artistic production, she laments the lack of language to describe text that seems to have material dimension

Colored Rhythm: Study for the Film
★0.0

Colored Rhythm: Study for the Film

A film unmade-- That is, Survage's film was never realized in the traditional sense-- At the time, such a project was beyond technological possibility. His pioneering efforts to combine luminous, expressive painting and the moving picture were further curtailed by the outbreak of WWI. Some have taken it upon themselves to 'animate' his watercolor plates in attempts to set his dream into motion.