
Fantastic Beasts: A Natural History
Stephen Fry embarks on a journey to discover the stories behind some of the world's most fantastic beasts that have inspired myths and legends in history, story-telling and film.

Madayen
An indie found footage style film out of the Kingdom of Saudi Arabia that tells the tale of three young Saudis who set out to the notoriously haunted Madayen Saleh ruins to the far north of the Kingdom to investigate the myths and the truths behind the cursed place.

Bigfoot: America's Abominable Snowman
Bigfoot: America's Abominable Snowman focuses on the legend of Bigfoot/Sasquatch throughout North America. Dr. John Napier acts as host and analyst of the evidence presented in the documentary, including Roger Patterson's famous October 1967 film allegedly showing a Bigfoot in Northern California (Bluff Creek). Numerous eyewitness testimonies are given along with expert opinions on the subject matter.

Der Orient - Wiege des Christentums

The Myth of the Black Woman
The Myth of the Black Woman is a feature-length documentary that examines the imagery of black women in the media, from the 18th century black slave to Michelle Obama. It is an investigation into how stereotypes originate from slavery and still affect the lives of black women in Quebec. These stereotypes include Jezebel (the seductress, the femme fatale); Mammie (the obese woman, the asexual mother figure) and Sapphire (the angry, ambitious and arrogant black woman). This story will be told by black women on whom stereotypes have a high impact, through interviews with fascinating experts, and through archival footage from centuries past to the present.

The Slenderman
A group of friends set out to investigate local legends surrounding the Slender Man, documenting their search with handheld cameras as curiosity slowly gives way to paranoia and fear. As strange occurrences escalate and the line between myth and reality begins to blur, the footage captures their unraveling descent into obsession. Presented in found-footage style, the film leans on minimal exposition and escalating dread to suggest an unseen presence stalking the group.
