Everest Dark
Tourists line up at the foot of Mount Everest to climb the mythological mountain – and to tell everyone else about the feat. For the same reason, Mount Everest has become a graveyard full of the frozen corpses of fallen mountaineers. But the story of the world’s highest mountain also has another, overlooked side: the local one. For around the huge mountain between Nepal and Tibet lives a local population with their own worldview, which is very different from the one Western tourists arrive with. A world of mountain gods that demands respect for nature. To appease the angry mountain gods, the famous Nepalese mountaineer and national hero, Mingma Tsiri Sherpa, risks everything to return to Mount Everest one last time to retrieve a body and appease the sacred mountain.
Mountain Queen: The Summits of Lhakpa Sherpa
A Nepali mountaineer risks everything on a record-breaking Mount Everest climb to secure a brighter future for her daughters.
Mountain Man
The mountain guide Jakob is a controversial figure. His supposed father dies and leaves behind a great heritage to the people. In the town they consider Jakob a bastard, because his parents were not married, which means that without a testament, the lands in which he lives do not belong to him. But the testament indicates that the inheritance corresponds him under a single condition, he must be the first person to climb the east face of Monte Verità. French version of Die weisse majestat, shot the year before in German with the same script in the Eiger/Jungfrau region but with different actors and by a different director.
The Mountain Guide of Zakopane
The peak of the sun is in the High Tatras. The mountain guide Carlo tried to climb it several times without success. When he finally gets it, he thinks that nobody else has to raise it and develops a special feeling with the mountain. When the Americans MacAllan, his daughter, and the engineer Harry West arrive at Zakopane with the project to build a cable car on the mountain, Carlo rejects it, because he considers the mountain of his property, a kind of sanctuary. Finally, he lives an experience that can make him change his mind. There is another version of the film titled Burza nad Zakopane, shot the same year in Polish.
The Giant of the Dolomites
Expert mountain-guide Maciste lives in the Dolomites. He dotes on his young nephew Hans, the illegitimate son of his sister, who died of a broken heart for the dishonour of being seduced and abandoned. Maciste’s bitter rival is the sinister Schultz, a smuggler in search of easy money who teams up with two adventurers: Müller and the mysterious Vanna Dardos. Schultz’s plan is to steal the design for a revolutionary aviation project that engineer Riccardo Ewert is finishing in the peace and quiet of his mountain chalet. Thanks to Maciste the plan is thwarted and Müller and Schultz die overwhelmed by an avalanche while escaping through the mountains.
The White Hell of Pitz Palu
Dr. Johannes Krafft climbs a 12,000-foot mountain over and over again to search for his wife, who was lost on their honeymoon. Another couple makes the dangerous climb with him.
Cervino 1901
On September 28th, 1903, the Urban Mountaineering Expedition, headed by Frank Ormiston-Smith, left Zermatt to attempt the conquest of the Matterhorn. On the 29th, the conquest was completed by the filming of the panorama from the actual summit of the mountain. The film consists of 20 scenes and illustrates the whole ascent from Zermatt through the Hornli Ridge. A copy of the film was found in Zermatt in 1953 and was was erroneously attributed to Frederick Burlingham and dated 1901. Since then, the film has been widely publicized as the first mountain film under the title of 'Cervin 1901', but this is incorrect. Ormiston previously had made 'Alpine series' (1901), 'The ascent of Mont Blanc' (1902), 'Climbing the Great Schreckhorn' (1902) and 'Ascent of the Jungfrau' (1903). The pictures and descriptions of the Charles Urban Trading 1903 film catalogue show without any doubt that 'Ascent of the Matterhorn' and 'Cervin 1901' are the same film.
Schweizer Bergfibel
Released in 1939. Directed by August Kern.
Burza nad Zakopanem
The peak of the sun is in the High Tatras. The mountain guide Carlo tried to climb it several times without success. When he finally gets it, he thinks that nobody else has to raise it and develops a special feeling with the mountain. When the Americans MacAllan, his daughter, and the engineer Harry West arrive at Zakopane with the project to build a cable car on the mountain, Carlo rejects it, because he considers the mountain of his property, a kind of sanctuary. Finally, he lives an experience that can make him change his mind. There is another version of the film titled Der Bergführer von Zakopane, shot the same year in German.
Alpenföhn
Released in 1939.
Roped
The history of the Chamonix Guides Company is inseparable from that of mountaineering and the valley where it was born. For 200 years, guides have risen to multiple challenges, making their organization a legend. Today, they are the actors of a changing mountain: overcrowding, global warming, loss of freedom—the causes are multiple. This film is at a crossroads. Between tradition and modernity, it traces the history of the Chamonix Guides Company, evoking the incredible challenges it has met with dignity and those it now faces.
The Son of the White Mountain
The mountain guide and ski instructor Hans Turri has been hired by the tourist Gregory Milacz to make a route in the mountains. Both are caught by a storm, so while Milacz is waiting at the Concordia Hut, Turri returns to the valley again. On the way back, Milacz has disappeared. Suspicions turn against Turri as a murder suspect for the jealousy he might have for the beautiful Mary Dulac. To get rid of the accusation of murder, Turri sets out to find Milacs. There is a French version of the film (Les chevaliers de la montagne), shot the same year by the same team but with different actors.
The Mountain Calls
During an early, unsuccessful attempt at climbing the Matterhorn, Edward Whymper finds himself rescued by an italian guide, Jean Antoine Carrel. The two men quickly build a friendship and agree to reach the peak together. However, local villagers ploto to divide the alliance of Whymper and Carrel and both men join rival teams as they set out in a race to conquer the mountain. A mountaineering drama based on the novel by Carl Haensel and inspired in the dramatic true story of Edward Whymper, who led the first successful ascent of the Matterhorn in 1865. There is another version of the film titled The Challenge, shot the same year in English.
Blind Husbands
An Austrian military officer and rogue attempts to seduce the wife of a surgeon. The two men confront each other in a test of abilities that ends surprisingly.
Mister Karim
The Fight for the Matterhorn
Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.
Apö Karim, Ambassadeur de l'Himalaya
The Challenge
During an early, unsuccessful attempt at climbing the Matterhorn, Edward Whymper finds himself rescued by an italian guide, Jean Antoine Carrel. The two men quickly build a friendship and agree to reach the peak together. However, local villagers ploto to divide the alliance of Whymper and Carrel and both men join rival teams as they set out in a race to conquer the mountain. A mountaineering drama based on the novel by Carl Haensel and inspired in the dramatic true story of Edward Whymper, who led the first successful ascent of the Matterhorn in 1865. There is another version of the film titled Der Berg Ruft, shot the same year in German.
Scuola di roccia
An exceptional cinematographic document on Emilio Comici, shot in 1938 in Val Rosandra by a MGM operator. The documentary shows Comici with the mountain guide Gianni Macor, in all the stages of the rock climbing technique, in the way of an instructional film. Comici, nicknamed the 'Angel of the Dolomites', is considered as the most extraordinary climber of the period between the two World Wars. He made over 200 first ascents in the Dolomites during his short career. Comici perfected the Bavarian technique of mountain climbing, and began the era of 'sixth grade' climbing. It was Comici who originated the concept of climbing direttissima routes, following the path a drop of water would take down the mountain.
Daredevils of the Alps
Marcel Ichac accompanied the mountaineer Armand Charlet, in 1943, in the repetition of the first crossing of the Aiguilles du Diable that the guide of the Chamonix valley had made in 1925. A roped party joined on snow and ice the Col du Géant, reached at the Mont-Blanc-du-Tacul stop and on the Col du Diable. The men cross the needles by climbing chimneys, cracks and abseiling walls. They access the eastern slope of the Mont-Blanc massif which offers a panorama of the Grandes Jorasses and Mont-Blanc. Armand Charlet was the first to reach the summits of four needles above 4000 meters: the Devil's Horn, Pointe Chaubert, Pointe Médiane and Pointe Carmen; he also tells how he successfully climbed the furthest, the Isolated. Marcel Ichac shot these scenes as close as possible to his subject, he responded with this film with a “truth” cinema, the principle of which we find in his later productions.