Movies

|TV Shows
The Kill Room
5.9

The Kill Room

A hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world against the underworld.

Exit Through the Gift Shop
7.5

Exit Through the Gift Shop

Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.

Art
0.0

Art

Follows three friends, Marc, Serge and Yvan, and one ridiculously expensive, plain white painting. It’s procurement by one friend and differing opinions about what constitutes ‘art’ sparks a conflict among the group that uncovers long-held grievances and tension points in their relationships.

Afterlife
0.0

Afterlife

In a near-future where grief can be outsourced, a bereaved artist considers a new outpatient procedure: an AI implant that can copy her mind, replace her with a digital copy, and spare her loved ones the pain of loss. But one unsettling discovery forces her to ask what, if anything, makes us truly irreplaceable. Set one product launch from today, Afterlife is a quiet sci-fi thriller about art, identity, and the slow erasure of the self in the age of artificial intelligence.

Contours
0.0

Contours

Upon using a modern art museum as the setting for a role play game that goes hopelessly awry, a deaf couple desperate to rekindle their spark finds the reconnection they seek in their shared experience over an abstract sculpture.

Exergo
0.0

Exergo

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Cremaster 2
6.3

Cremaster 2

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

River of Fundament
5.9

River of Fundament

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

.wszechświat
0.0

.wszechświat

Arts and Culture
10.0

Arts and Culture

Sloppy man Geir starts working at an art museum where he meets stuck up wannabe artist Hörður. Things get weird when they bring a sofa to the space without permission.

Manet: The Man Who Invented Modern Art
5.3

Manet: The Man Who Invented Modern Art

Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels. As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most highly placed judge in France who decides to become an artist and embarrass his father. The resulting family tensions are the stuff of legend. Then there was Manet's dramatic private life, including exotic romantic affairs and a particularly horrible death. Always cited as the father of the Impressionists, Manet stubbornly refused to show with them, and was careful to maintain an aesthetic distance from Monet, Renoir and the others. While they worshipped him, he looked down on them.

Museum Town
0.0

Museum Town

A rural American town suffering economically from factory closures finds an unconventional route to recovery with the help of MASS MoCA.

Cremaster 3
6.6

Cremaster 3

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

Obsessed with Light
8.0

Obsessed with Light

Loïe Fuller, stage name of Marie Louise Fuller: the American actress and dancer trained in burlesque, circuses and variety shows who, in the 1890s, signed by the Folies Bergère of Paris, became a star. She was portrayed by Toulouse-Lautrec, loved by the symbolists, the inspiration for Art Nouveau, in her shows she combined dance, spirals of fabric and light, reflected from behind or from below through the glass floor that she had created. She transformed into the "Fairy of Light", was taken up (especially in her Serpentine Dance) by Georges Méliès and Alice Guy and influenced René Clair's early films.

A Revolution on Canvas
6.4

A Revolution on Canvas

In this hybrid political thriller and verité portrait documentary, Sara Nodjoumi, working with co-director and husband, Till Schauder, makes her directorial debut with this personal film, diving into the mystery surrounding the disappearance of more than 100 “treasonous” paintings by her father, seminal Iranian modern artist Nickzad Nodjoumi.

Die Brücke: The Birth of Modern Art in Germany
0.0

Die Brücke: The Birth of Modern Art in Germany

This movement marks the beginning of modern art in Germany. It is the German equivalent of French Fauvism, from which it draws its main inspiration, but it carries an Expressionist and social emphasis that is characteristic of Nordic 'angst.' The artists of Die Brucke were restless creatures, over-sensitive, haunted by religious, sexual, political or moral obsessions. Dramatic landscapes and nudes, mystical and visionary compositions, scenes of the countryside, the streets, the circus, the cafe-dansants and the demi-monde were their principal subjects. Their pure colours blaze in acid stridency, encompassed by rough, dry contours which show the influence of African art and primitive woodcuts. The work of the following is shown: Kirchner, Fritz Bleyl, Erich Heckel, Schmidt-Rottluff, Otto Muller, Emil Nolde and Max Pechstein.

The Majesty of Art
10.0

The Majesty of Art

An artist had a vision for art and expressed it in his paintings, fashion designs, and photographs. He created a virtual reality exhibition and virtual reality artworks that people could experience and feel.

Pablo Picasso et Françoise Gilot : la femme qui dit non
6.1

Pablo Picasso et Françoise Gilot : la femme qui dit non

Painter Françoise Gilot shared Pablo Picasso's life from 1943 to 1953. This union nourished their respective artistic creations.

Mies
0.0

Mies

No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.

Bauhaus 100
6.5

Bauhaus 100

In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.