Highlander
A 16th-century Scottish warrior discovers he is one of a race of immortals fated to battle through the ages and must confront the sadistic Kurgan in a final duel for the Prize—a power that could shape humanity's future.
Freddie As F.R.O.7.
Frederick is a young medieval French prince with magical powers, turned into a frog by his evil sorceress aunt, who kills his father in a bid to seize the throne. After being pursued by his aunt, the prince is saved by the Loch Ness Monster, who indebts herself to him, and hides out with a colony of anthropomorphic frogs for a time. After ultimately deciding to accept his fate and fight evil using his powers, Freddie grows to the size of an adult human, travels to the future, and becomes a French secret agent with a sentient car.
Les Filles au Moyen-Âge
The history of women through the Middle Ages as told to and by little boys and girls and an old man (Michael Lonsdale)
Tears of the Fallen
In the aftermath of a medieval battle, a war-ravaged soldier meets a peasant woman searching for her warrior son. Unexpectedly their lives will change.
Le Jardin des délices
Arrived in an abandoned place or emerged from a society at a standstill, men and women organize themselves in their own way, borrowing what they find on the spot and in the memory of what surrounds them, the theater and the people... In the superb mineral setting of the Boulbon quarry, Philippe Quesne, inspired by a work by the painter Jérôme Bosch, orchestrates a joyful retro-futurist epic to meet the worlds to come, between environmental science fiction and contemporary western.
Christina: A Medieval Life
Michael Wood explores village life in 14th century England, a time of plague, war and famine. Through the use of a remarkably complete set of documentary records, he explores one village - that of Codicote in Hertfordshire - looking at its boom times and its poorer times. Wood brings the period to life by focusing in on one family, that of the poor peasant Christina Cok, her father Hugh, her estranged husband William, and her children John and Alice. By looking at the poorest members of Codicote's society, Wood approaches his history from the bottom-up rather than taking the traditional historical approach of top-down, 'kings and barons' story-telling.
Dû bist mîn ich bin dîn
Trutwin yearns to explore the world beyond, but then his mother falls seriously ill, and he now must take responsibility to care for her. The film follows his emotional and personal growth as he faces his independence and decision-making.
