La Perra
In Bogota, a bird-girl leaves behind the family home, her domineering mother and faithful dog to go and explore her sexuality.
La identidad que hemos construido
Marcela, Anabella and Estrella are three trans women who have defied the lifespan expected for a trans person. Through their recollections, one explores the memory’s strength, resistance and love for life of these three women.
Claves, 2: We will return younger
Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.
Claves, 1: How Tasty Was My Little Frenchman
Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.
Claves, 4: Memories of Cuban cinema
Documentary in four parts on Latin American cinema. Fourth episode: in Cuba, the ICAIC, created in the aftermath of the Castro revolution, is at once a film school, a production company and a state cultural branch. Cuban filmmakers testify to the situation and themes specific to their national cinema.
Claves, 3: Small mother country, great mother country
Documentary in four parts on Latin American cinema. Third episode: from the 1960s, France and Europe showed a real enthusiasm for Latin American cinema, but the latter remained hampered by numerous economic and political obstacles.
O Sol Sempre Está
Two friends, a boat, and a sun that always is.
Astrobonde
Valores Familiares
Jimena admires the perfection of her parents marriage. However, an unexpected gesture from her mother awakens a doubt in her that begins to unsettle the idealized image she has always had of her family. Jimena confronts the hidden side of morality and comes to understand that nothing is as it seems.
