★0.0
I Believe the Portrait Saved Me
Twenty-five years after his abduction during the Kosovo War, painter Skender Muja recalls a pivotal moment of survival. Held in a detention center, he was ordered to draw a Serbian commander’s portrait to save his life.
★0.0
The Goddess on the Throne
Blending archival footage, haunting melodies, and digital reconstructions, Hyjnesha në Fron traces the echo of loss across Kosovo's turbulent history, from forgotten rural struggles to national aspirations erased by war. A musical, visual essay shaped by absence, which resurrects physical memory through 3D reconstruction, showing how history persists even when its material proof has vanished.