Hardware
Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.
Breaking Boundaries: The Science of Our Planet
David Attenborough and scientist Johan Rockström examine Earth's biodiversity collapse and how this crisis can still be averted.
Broken Rainbow
Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.
Documerica: Self-Portrait of a Nation on the Brink
In the seventies, during the Richard Nixon administration, Documerica, a large-scale photographic project, led by the US Environmental Protection Agency, sought to document the country's environmental situation. The tens of thousands of photos, taken by hundreds of photographers, constitute a unique archive, showing a landscape ravaged by pollution and environmental degradation.
Breakpoint: A Counter History of Progress
An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.
RiverBlue
RiverBlue chronicles an unprecedented around-the-world river adventure, led by renowned paddler and conservationist, Mark Angelo, who ends up uncovering and documenting the dark side of the global fashion industry.
Planet of the Humans
Forget all you have heard about how “Renewable Energy” is our salvation. It is all a myth that is very lucrative for some. Feel-good stuff like electric cars, etc. Such vehicles are actually powered by coal, natural gas… or dead salmon in the Northwest.
Birds of America
In the first half of the 19th century, the French ornithologist Jean-Jacques Audubon travelled to America to depict birdlife along the Mississippi River. Audubon was also a gifted painter. His life’s work in the form of the classic book ‘Birds of America’ is an invaluable documentation of both extinct species and an entire world of imagination. During the same period, early industrialisation and the expulsion of indigenous peoples was in full swing. The gorgeous film traces Audubon’s path around the South today. The displaced people’s descendants welcome us and retell history, while the deserted vistas of heavy industry stretch across the horizon. The magnificent, broad images in Jacques Loeuille’s atmospheric, modern adventure reminds us at the same time how little - and yet how much - is left of the nature that Audubon travelled around in. His paintings of the colourful birdlife of the South still belong to the most beautiful things you can imagine.
A Clear and Present Danger
The son of a U.S. Senator takes on the cause of clean air when a friend dies of emphysema.
Toxic Soup
Something is bad wrong as everyday Americans fight to protect their air, water and blood from pollution.
Poison in the Rockies
Acid rain, economic development, and a century of mining pollute Rocky Mountain waters.
This Quite Not About This
This film is about the cow living in an polluted enviroment.
Poison City
Dzerzhinsk, a Russian city 240 miles east of Moscow, is considered the most chemically polluted town on Earth. Factories producing industrial chemicals (and in Soviet times, chemical weapons) employ a quarter of the 300,000 residents in a city where life expectancy has fallen to 42-47 years, the death rate is 2.6 times higher than the birth rate, and the men are close to impotence. Reporter Tim Samuels recorded a series of in-depth interviews with the inhabitants of Dzerzhinsk for the Correspondent strand, revealing what life is like for the beleaguered populace.
Hydrogen - Revolution or Illusion?
Steel giant Thyssen Krupp in Germany and cargo ship operator Maersk in Denmark are investing huge sums of money with public support to convert their huge and dirty energy consumption to ‘green’. Hydrogen plays a central role in this. At the same time, countries in Africa such as Morocco and Namibia are gearing up to become giga-suppliers of the new energy source. But does it all make sense? Why not just produce green steel in Africa? And what's the story behind the blue hydrogen that is supposed to come from Norway via pipeline? The film follows pioneers on breathtaking projects and shows that the energy transition is more complicated than expected and holds many surprises in store.
Les Fantômes du Pétrole
Design ist niemals unschuldig
Immersion in a world of contemporary design in search of more virtuous practices. In Helsinki, German designer Julia Lohmann uses seaweed to create dyed garments; in Amsterdam, Marjan van Aubel creates objects powered by organic photovoltaic cells; in London, the Superflux duo develops futuristic installations to alleviate potential food shortages.
The Four Corners: A National Sacrifice Area?
Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.
De La Mar
The inhabitants of the Humboldt Archipelago have a strong connection to their territory and the sea, which will become the main driving force to defend the nature and biodiversity of the area against the threat posed by the installation of the Dominga mining project and the Cruz Grande mega port.
Apocalypse Mode
After decades of growth and ostentation, when every excess was allowed, the fashion industry is currently at a turning point, caught up in the political issues that are reshaping our times: climate change and sustainable development, cultural representation and appropriation, equality, gender issues... Brands and creators are now subject to increasingly sharp public scrutiny. How is the fashion industry facing these challenges and responding to this new paradigm? Based as it is on the concept of planned obsolescence, can fashion survive?
