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The Fight for the Matterhorn
Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.
The Giant of the Dolomites
Expert mountain-guide Maciste lives in the Dolomites. He dotes on his young nephew Hans, the illegitimate son of his sister, who died of a broken heart for the dishonour of being seduced and abandoned. Maciste’s bitter rival is the sinister Schultz, a smuggler in search of easy money who teams up with two adventurers: Müller and the mysterious Vanna Dardos. Schultz’s plan is to steal the design for a revolutionary aviation project that engineer Riccardo Ewert is finishing in the peace and quiet of his mountain chalet. Thanks to Maciste the plan is thwarted and Müller and Schultz die overwhelmed by an avalanche while escaping through the mountains.
Karakorum
The film was shot on the occasion of the Italian Geographical Expedition to Karakorum, conceived in 1926 and held in May-August 1929, under the guidance of Aimone di Savoia, duke of Spoleto. The expedition, twenty years after that of the uncle of Aimone, the Duke of Abruzzi, had as its declared objective the exploration of the Baltoro glacier area and explores the possibility of an attempt at K2. The film ends, however, hastily: the prohibitive weather conditions conditioned the production. A young geologist and geographer, Ardito Desio (head of the italian expedition to K2 in 1954), took part in the expedition.
Fragilità
Scalatori del C.A.I. alle prese colle Dolomiti
Excursion from the Catinaccio group, across the Alpe di Siusi, to the Sassolungo and to the Sella group. The Dolomites, less impressive in appearance and less elevated than the giants of the Alps, attract a particularly bold class of climbers: here we follow the footsteps of a group of them on a characteristic route of the region. In the group, there are some women. The film was produced in thirties by the Instituto Nazionale Luce during the Italian Fascist regime.
Secret of the Glacier
Against the backdrop of beautiful natural scenery, the film tells the story of a guide accused of killing a tourist and dramatically discovers the evidence that clears her for the charges.
An Ascent of the Monte Rosa Glaciers
An alpine ascent Monte Rosa glacier by a large group of mountaineers equipped with crampons and ice axes. The group ascends from the Gabiet lake to the Corno del Camoscio (3.024 meters) and up the Capanna Gnifetti hut at 3.647 meters. From there they continue the progression by the glacier up to the Capanna Regina Margherita hut at 4.559, the highest observatory in Europa at the time, from where they start the way back to the village of Gressoney. The film was produced in 1932 by the Instituto Nazionale Luce during the Italian Fascist regime.
An Ascent of the Cevedale Massif
An alpine ascent around the snow-covered area of Monte Cevedale by a large group of mountaineers equipped with crampons and ice axes. The group departs from the old refuge 'Capanna Casati' and begin the climb through the glaciers. Finally, they camp on a rocky expanse. The film was produced in 1932 by the Instituto Nazionale Luce during the Italian Fascist regime.
First Ascent of the Paganella Direct
In September 1932, a party of climbers composed of Bruno Detassis, Gino Corrà and Nello Bianchini completed the first ascent of the Paganella direct route. After having reached the summit, the group is received with honors by the people who celebrate the feat. The movie also shows brief images of the inauguration of the 'Cesare Battisiti' refuge. The film, of great historical importance, was shot in 8mm by Aldo Pedrotti.