The Iron Lady
A look at the life of Margaret Thatcher, the former Prime Minister of the United Kingdom, with a focus on the price she paid for power.
Being Billy
William (Billy) Livesey is a Falklands Veteran with dementia, living in a care home. A brief connection with new carer Lisa stirs memories in Billy, taking him back to the closing stages of the Falklands War in 1982 and a life changing incident that took place for him, his close friend (and fellow Para) Stu and Argentinian soldier Pablo. Memories from the past help guide Billy through the fog of dementia and re-connect him to the present. Some Wars Never End....
Olympus vacuum
A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.
This Is England
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends, even like family. Based on experiences of director Shane Meadows.
The Deminers
Zimbabwean landmine clearers Shame and Cosimas, as well as medic Previous have been traveling to the other side of the world for years to clear mines in the British Falkland Islands. In the subpolar cold, between sand dunes and penguins, they defuse and blow up the legacies of a forgotten war.
An Ungentlemanly Act
Based on actual accounts, this film portrays the days and hours before and during the invasion of the Falkland Islands by Argentina, which eventually lead to the Falklands War. As the Argentine forces land on the main island and make their way towards Government House, the handful of British defenders batten down the hatches and prepare to defend Governor Rex Hunt, his family, and their fellow islanders from the invaders.
Resurrected
A Falklands War soldier missing, believed dead, turns up claiming amnesia.
March On
A British Falklands Conflict veteran struggles to reintegrate into civilian life as a “welcome home” party exposes the hidden costs of war, forcing him and his wife to confront the trauma that continues to remain
The Ploughman's Lunch
As the UK begins its military engagement in the Falklands, a BBC news journalist attempts to climb up from his working-class roots, at any cost, lying to those around him to get what he wants, only to discover that he is the recipient of a deception far more clever than his own.
The Falklands Play
The Falklands Play is a dramatic account of the political events leading up to, and including, the 1982 Falklands War. The play was written by Ian Curteis, an experienced writer who had started his television career in drama, but had increasingly come to specialise in dramatic reconstructions of history. It was originally commissioned by the BBC in 1983, for production and broadcast in 1986, but was subsequently shelved by Controller of BBC One Michael Grade due to its alleged pro-Margaret Thatcher stance and jingoistic tone. This prompted a press furore over media bias and censorship.The play was not staged until 2002, when it was broadcast in separate adaptations on BBC Television and Radio.
Tumbledown
The film centers on the experiences of Robert Lawrence MC, an officer of the Scots Guards during the Falklands War of 1982. While fighting at the Battle of Mount Tumbledown, Lawrence is shot in the head by an Argentine sniper and left paralyzed on his left side. He then must learn to adjust to his new disability.
Con amigos así
The Falklands War began on April 2, 1982, with the Argentine landing on the islands ordered by Leopoldo Fortunato Galtieri, and culminated with the cessation of hostilities between Argentina and the United Kingdom of Great Britain on June 14, 1982. Through dynamic editing and the use of archival materials, the documentary considers the war as part of our recent past, but also opens up multiple questions and reflections on contemporary society and the future projection of what such a conflict generates for us Argentines.
Rule Britannia
A detailed account of each of the details of the Malvinas War based on interviews, dramatic scenes, maps and other elements of historical roots without ignoring the historical antecedents from the 18th century that ended in this confrontation.
Falklands War: The Forgotten Battle
Ben Fogle uncovers one of the untold stories of the Falklands War - a battle fought by 30.000 British Marines against an Argentine invading force ten times that number.
No tan nuestras
The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.
The Debt
The drama tells the story of an Argentine elementary-school teacher sent by the government to a rural hamlet located in the northwestern province of Jujuy. It shows how he touches the lives of the villagers, especially the young and impressionable boy Verónico, whose mother died and father left to seek work when he was an infant. The film is based on a non-fiction book written by Fortunato Ramos, a rural teacher in northwest Argentina, that discusses his teaching experiences.
Argie
The time is the summer of 1982, and the Falklands war is at hand when the young "Argie" follows a British woman home and is stopped from raping her only because she starts to speak to him in Spanish, soon they enter into an ambivalent relationship, undecided as to whether they love or hate each other, or both. They end up on the streets when she is evicted and life becomes even less stable.
Tumba sin nombre
Ángela Ferrer lost her grandson during the Falklands War. A year has passed since the end of the war, and Ángela has not resigned herself to accepting her grandson's death, much less to not being able to visit his grave and pay him the tribute she considers more than deserved. Today, Ángela searches the cemetery for an abandoned grave that could serve as a space to visit her grandson. Finally, she decides on one that shows signs of neglect. She refurbishes it and leaves behind a small painting she made, in which we see a sailboat sailing across the sea. These visits take place weekly, while Ángela continues her daily routine, until one day they are suddenly interrupted.
Regimiento 7 regresa a casa
A former soldier reunites with his comrades, who are unaware that they are dead.
The Exact Shape of The Islands
For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'