Vela
Young Xime hopes to restore her grieving family by arranging a Día de Los Muertos altar...meanwhile a looming presence closes in.
Macario
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
The Apostle
A recently escaped convict seeks to recover a treasure he hid years ago in a small, secluded Galician village. However once there, he finds out that in the village there is an even worse sentence than the one he fled from.
Calaverita A La Muerte (A Death Poem Dedicated to Death)
On his deathbed, Catrín confronts Death not to ask for more time but to understand why she saved him 20 years earlier. When she denies it, his desperate search for answers forces her to reveal the truth: she is in love with him. After a final, tender moment, she lets him go, leaving herself alone forever.
Trece Cielos: Una Noche para Ponernos al Día
Por lo que Perdimos
During the "Día de Muertos" celebration in Tetela de Ocampo, Puebla, the locals share their traditions and reflections on life and death, while the Zamitiz brothers recount how the loss of their parents gave them a unique understanding of memory, mourning, and life itself.
Solo los muertos saben
The mourning has passed, it is not time to lament, but to celebrate, to wait for the rituals to work and for our dead to come, but how will they know the way if it is increasingly diffused?
Yellow Trails
An identity picture and the memory of Contla village through its Día de Muertos festivity. Celebration where the making of traditional bread, an offering colocation, and the embellishment of their family get mixed with mysticism and the yearning of the people community, preserving a tradition that interweaves for moments as a remembering in the México's heart.
GHOSTS
Energy cannot be created or destroyed. When we die, where does our energy go? Inspired by Vauhini Vara's essay "Ghosts", in which she prompted Al to help her write about her sister's passing, "GHOSTS" takes us on the emotional journey of grief. We see a ghost figure trying to get through to her sister, who is still alive, and let her know she's still around somehow. There are two poems in this piece, one is a poem written by GPT 3, and the next is the director's (Oriana Mejer) response to it. This film uses spoken word poetry, TouchDesigner motion graphics, and is originally scored by French musician Taime.
Flores in the House of the Dogs
Flores, a ghost who has been trapped for 100 years in the house where he died, remembers how he got there.
