The Nest
A sheltered girl takes a leap of faith.
Zeta
The dance of a generation deeply marked by technology and social networks.
Distant Nixa
The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.
Permanent Life
Amid the labyrinth of Barcelona’s architecture, two bodies collide and unravel, their movements echoing the rhythms of love's ecstasy and fracture. Pain blooms into grace, each leap a thread stitching their way toward the quiet possibility of healing—only to return and ache for more
Piyesa (Piece)
An ambitious dancer hallucinates her other self while practicing the piece.
Faux Lion
When he sneaks into a Simb—a festival where men dressed as lions dance to the rhythm of the sabars—Assane, a quiet young boy, sets in motion more than a simple punishment. What he experiences sends him on an initiatory journey through fear, myth, and ancestral transmission.
Húmus
A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.
She returns to herself
Exploring inner and outer landscapes through movement and tactile visuals
Money
MONEY is a dance film that explores the monotonous cycle of corporate 9-to-5 life. The dancers represent employees in a workplace that twists into a corporate nightmare, exposing the rigid and dehumanizing nature of the corporate world. Through movement, the film highlights the tension between control and rebellion, questioning the structures that define success and productivity that the workplace outlines for many everyday. with a sharp and unconventional movement vocabulary, MONEY challenges capitalist ideals and the way they shape daily life. The film breaks traditional boundaries, using dance to portray a system that demands conformity while suppressing individuality. Its rebellious undertones push against societal norms, making more room for fun and play.
Parallax
I Play Dead
A woman visits a deserted old industrial building. Once there, she encounters two children. They lead her deeper inside the building and closer to their dark secret. What started as an innocent game, has suddenly become an odd ballet.
Postcolonial Queen
"Postcolonial Queen" is a video poem and collage film that satirizes Hong Kong's complex identity through dance, city visuals, and a reenactment of Queen Elizabeth II's visit. It captures nostalgic memories shaped by colonial history, using bamboo scaffolding to represent societal changes and mirrors to reflect surface-level modernity, hinting at deeper identity questions. The narrative weaves together collective memories and personal stories, contrasting the historical event of the queen's visit with a young woman's reflections on her past relationship. This intermingling of narratives invites viewers to explore the fluidity of identity and the evolving essence of Hong Kong amid tensions between progress and tradition.
BODYCOUNT
During a quiet moment of closeness, a young couple’s playful banter takes a profound and sobering turn when a simple question about the past redefines the meaning of "counting" one's life experiences.
to be near you.
to be near you. pushes at the boundaries of time to create a feeling of reconnecting with something, or someone, who is gone. Based on a live duet between Ali Kenner Brodsky and Jenna Pollack, to be near you. honors the memory of those we have lost, collapses distance by energizing the spaces in between, and subtly demonstrates how people can find connection through physical separation.
The Threshing Floor
Set to a score by Mauricio Pauly (The Threshing Floor), multiple microphones, choreographic sequences, scores, and projected images, we are enveloped into a multimodal experience of two bodies in space.
I wanted to be me
Mari is finally out of her relationship, or is she? As soon as she finds her freedom, She immediately start to second guess her choices.
Mudlove
A chance spark in a cafe sends two lovers into a surreal mud wrestling ring where they must find a common rhythm while their friends demand a fight.
Yakana 1
Dance film made in Arica with the Tobas Internacional Gigantes Alados group.
Atom by Atom
Year 2061. Everyone has left Earth. A figure is sent back to Earth to check on the situation. Are they the same elements, do the history chips work? Slowly, something begins to happen, a ritual to evocative rhythmic music. There is a threat... - it comes from within. Gradually, a trance-like state arises, where the figure meets its dark side.
East Coast Aquarela
Amidst the chaos of city life, a woman finds relief through dance.