L'homme qui fume
Growth is beautiful, and often progress, too, but if it's not measured, growth can be predatory. Made using the principles of essay film, and using an anonymous character, this film chronicles and critiques how provincial cities grow, change, and gradually lose their identity.
Confesión en dos tonos
Can an adolescent experience define our perception of love? Can or should everything be connected or have a reason? A character recounts to his niece or nephew, in the form of a confession, an event from his adolescence that defines his particular way of perceiving love. While this exercise serves to tell a story that, regardless of genre, has surely been experienced by more than one person, it expresses the director's idea that discourse can sustain a work on its own, even if what is depicted on screen appears to have no connection.
Peru is a place to die
Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.
El doble fin de semana de los críticos
Fragmentos del reflejo en el espejo
Carnival Season
In Sastre y Ortiz, a small town in the province of Santa Fe, carnival is experienced as something far deeper than a mere celebration. Constructed from archival footage, this non-fiction work reflects on the carnival as a collective ritual and a space of resistance against oblivion. A place where a town unites to confront its pain, allowing joy and sorrow, the sacred and the profane, and the very contradictions of human experience to coexist.
El sur nunca muere
Disconnection
In this video essay, the filmmaker reflects on the contrast between himself and the space around him, a student dormitory.
Desesperadas medidas
El Arte del Despues
Narciso
A young man tries to charm a figure similar to himself.