Mistress Dispeller
Teacher Wang works as a 'mistress dispeller' in China, hired to break up affairs by any means necessary. Through one of her cases, we explore the ways class, capital, and culture collide to shape romantic relationships in contemporary China.
My Own Last Supper
76-year-old widower Encek convenes his children for a final dinner, unveiling concealed memoirs of love, loss and generational wounds before choosing the sea as his reunion place with his deceased wife.
Saturday Class
The short film tells a slice-of-life story set in a family-run Chinese bakery, exploring parenting philosophies and the pressures faced by the younger immigrant generation.
KŪKAI
In 804 AD, Kūkai traveled to Tang China with the Japanese diplomatic mission to study under Master Huiguo, the seventh patriarch of Tang Esoteric Buddhism. After returning to Japan, his knowledge and practices went on to influence religion, literature, calligraphy, architecture, and education, shaping religious practice, artistic tradition, and intellectual life across East Asia for more than 1,250 years. Rooted in rigorous historical research, location-based storytelling, documentary techniques, cinematic reconstruction, and CG technology, the film recreates Kūkai’s world and revisits the Tang-era cultural exchange that transmitted ideas, philosophy, and spiritual traditions across East Asia. Through Kūkai’s journey, the documentary explores enduring themes of faith, learning, compassion, and cultural exchange, inviting timely conversations on ethical leadership, education, mental well-being, and intercultural dialogue in today’s increasingly interconnected world.
Group of dancers
Cultural documentary featuring a Chinese folk dance performance held in the courtyard of Auguste François's house in Yunnanfu, present-day Kunming, China. Four dancers interact in an artistic performance. Produced in 1901 by Societé L. Gaumont et Cie. and directed by French photographer and diplomat Auguste François. Working as a French diplomatic consul in China, Auguste François shot a large number of films, most of which are still preserved, showing aspects of Chinese society in the last years of the last Chinese monarchical dynasty, the Qing. This film was only released commercially in 1905 as part of the collection "Au Pays des Mandarins".