The Pornographers
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
Naughty Kitchen God
After moving out of his parents house and restaurant Minh looks forward to live alone. On his first night in his new apartment he has a strange dream. He wakes up and tries to get a midnight snack, but he finds only cockroaches. The shock knocks him out and afterwards he is chained to a mysterious man, who introduces himself as a kitchen god. Both want to be released from their bond, but it seems that it cannot be broken that easily. Not only their bond will bring Minh into trouble, his situation worsens when gangsters threaten local restaurants.