Azimuth
Charm School
Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.
The Way We Move
Amber Galloway, a trailblazer in ASL interpretation, takes us on a journey into the deep bond between the Deaf world and music. We follow her as she teaches struggling recruits who she hopes will have what it takes to join her at ACL music festival.
Simon The Whale
Trapped in a body the world won’t let him forget, Simon, a large-built young man worn down by a lifetime of prejudice, faces his deepest insecurities when an English class turns quietly cruel.
Freak
Ahead of the upcoming swimming competition, 11-year-old Ziggy discovers something that's happening to his body. A transformation that makes him want to hide.
Superstar
Two Faces
Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.
Doris
Produced in the fall of '98 as part of a video-dance internship offered to choreographers by PRIM and Circuit Est, Doris is a study of banality : a woman tries desperately to sit on an inflateable footstool in an attempt to stop time. Doris is a metaphor for our imposing solitude which nevertheless manages to bring out a charming naïvety.
Boobies
A couple is making a sextape, but she has a question, and he doesn't know the answer...
Poison Sangga: The Homewrecker's Curse
Soon after getting married, couple Maya and Andi begin to experience eerie disturbances from unseen malevolent forces.
Le Bézoard
Having just lost her mother, Anna finds herself facing a nightmarish situation...a fur monster appears in her home. She will have to live with this strange being.
Vengeance in the Dreary Night
Jefri and Sarah are an adulterous couple now desperately trying to create an alibi after the corpse of Sofia, the lawful wife they murdered, mysteriously disappears from the morgue. Arya Pradana, a police investigator, uses all his logic to uncover the truth. Has the corpse come back to life to take revenge on her killers?
Fragments
Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.
Transmutation
A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.
Channel
The material of the piece is a found image—a photograph shot on a film positive in the 1950s, with faded colors and a scratched surface. The work directs the gaze away from the subject matter of the photograph and focuses intently on the edges of the image. It hovers beside the subject, looks past it, while a new image is created.
Girls’ Stories
Jagoda and Zuzia giggle in the opening scenes in the way that only 11-year-old girls can. Together they are the center of their own changing world. On the face of it, not much happens in the lives of these Polish best friends, but big changes are on the way. The end of primary school is in sight, and the girls are impatiently awaiting first love, budding breasts and first periods.
Is There Anybody Out There?
While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.
Shells
Margot enjoys life pleasures: eating, drinking, smoking, dressing in nice clothes. However, when her proposal for an advertising campaign is rejected, she becomes aware of how lonely she feels. Then Anna stands at her door. Anna was sent by the health insurance to make Margot lose weight. Every evening Anna prepares a healthy, light dinner for Margot. Margot is gradually overcomes her aversion towards Anna, who keeps her company during their dinners. A fine and fragile friendship develops. Yet, when Margot gains weight again, the insurance orders Anna to end the mission. At their last dinner, their friendship is put to the test and secrets are unveiled.
My Body, My Rules
Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.
