Niagara
Rose Loomis and her older, gloomier husband, George, are vacationing at a cabin in Niagara Falls, N.Y. The couple befriend Polly and Ray Cutler, who are honeymooning in the area. Polly begins to suspect that something is amiss between Rose and George, and her suspicions grow when she sees Rose in the arms of another man. While Ray initially thinks Polly is overreacting, things between George and Rose soon take a shockingly dark turn.
Madame Bovary
In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.
A Woman's Face
A female blackmailer with a disfiguring facial scar meets a plastic surgeon who offers her the possibility of looking like a normal woman.
The Scarlet Letter
In Puritan Boston, seamstress Hester Prynne and kindly Reverend Arthur Dimmesdale fall in love. After Dimmesdale must go away for a time to England, he returns to discover that Hester has given birth to their child and is the focus of local censure.
In My Own Hands
A serial killer preying on unfaithful wives sets his eyes on an investigator's wife. The culprit is a debonair director, whose compulsion to prey on married women stems from a deep psychological trauma.
Lady with Red Hair
An actress hopes to regain her lost son by making it to the top.
The Wrecker
The Wrecker is a flinty-eyed demolition engineer named Regan (Jack Holt). While he's off on another assignment, Regan's wife Mary (Genevieve Tobin) and supposed best friend Cummings (Sidney Blackmer) engage in some heavy petting. About to wash his hands of his faithless wife and his back-stabbing chum, our hero is compelled to save both their lives when they're pinned under the wreckage of a collapsed schoolhouse. George E. Stones supplies some good-natured ethnic humor as Regan's junk-dealer pal Shapiro.
Rossini: Il turco in Italia (Opernhaus Zurich)
When a wealthy Turkish aristocrat arrives in a humble Italian town, the married women roll their eyes in delight, their rival lovers lose out, and the husbands rage with jealousy. These may be silly clichés, but they are the subject of IL TURCO IN ITALIA and the composer plays with them – quite deliberately. He knows that he is putting archetypes of Italian comedy on stage with figures such as the exotic lady-killer Selim, the young woman Fiorilla, who is chained to the stove at home, but adventurous, and her husband Geronio, who is ridiculous because he is much too old – and relishes the ironic exaggeration. Franz Welser-Most conducts the Zurich Opera House Chorus and Orchestra in this performance of Rossini's opera buffa.