
Holy Motors
We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

Weird: The Al Yankovic Story
Exploring every facet of ‘Weird Al’ Yankovic’s life, from his meteoric rise to fame with early hits like ‘Eat It’ and ‘Like a Surgeon’ to his torrid celebrity love affairs and famously depraved lifestyle, this biopic takes audiences on a truly unbelievable journey through Yankovic’s life and career, from gifted child prodigy to the greatest musical legend of all time.

Bonnie Scotland
Stan and Ollie stow away to Scotland expecting to inherit the MacLaurel estate. When things don't quite turn out that way, they unwittingly enlist in the Scottish army and are posted to India.

Bread and Tulips
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.

Accordion Player
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

Stroszek
Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.

Call Me from Afar
Grusha's (Lidiya Fedoseyeva-Shukshina) husband has left her and she is now a single parent to her adolescent son Vitya (Vladimir Naumenko). Her brother Nikolay (Mikhail Ulyanov) is determined to hook her up with his friend Vladimir (the film's co-director Stanislav Lyubshin). For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement. Based on a play by Vasiliy Shukshin.

Padre Padrone
The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

The Dark Backward
A man pursues stand-up comedy encouraged by his fellow garbage man. Though his friend, who accompanies him on accordion, continues to tell him how great he is, he actually stinks. When the "comedian" grows a third arm out of his back, the friend uses this twist to get him signed up with a sleazy talent agent, and it begins to look like his career is on the move, even though his girlfriend has left him.

À propos de Nice
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.

Flightless Bird & Merry-Go-Round
Kotori Haneda is a university student interning at a publishing house. While doing her internship, she is partnered with another intern named Eba Shimazaki; the two start a relationship, but her happiness is not to last.

The Tunnel of the Bellows
A documentary film about the origins of the Basque trikitixa. It reflects how the small accordion brought by one of the Italian workers who came to build the Madrid-Paris railway tunnels in 1859, starting from Zumarraga, has become a symbol of contemporary Basque music.

Marina
Italy, 1948. Young Rocco is growing up in Calabria, until one day his father Salvatore decides to leave to Belgium, where he strives to earn a lot of money by working in coal mines. Very soon he sends for his family. Rocco becomes a migrant overnight, with all the consequences this entails. Rocco wants to be like other youngsters, become someone and have a purpose in life. Against his father’s wish and better judgment he seeks an escape through music and love.

Shuya Show
In a distant nation, even foreign to those within, an oppressed factory worker embarks on a perilous odyssey to find his polka idol and prove himself to his long-lost love.

Hot Pepper
A musical portrait of Zydeco King Clifton Chenier, who combines the pulsating rhythms of Cajun dance music and black R&B with African overtones, belting out his irresistible music in the sweaty juke joints of South Louisiana.

Martynas Levickis und das Akkordeon
For him, the accordion is like a box in which you can get an entire orchestra in order to always have it on your own. Dynamic portrait of the gifted and charismatic accordionist Martynas Levickis.

The Spy Who Caught a Cold
Ten-year-old Clossie is having the worst holiday of her life – dragged to a seaside naturist resort by her fun-loving single mother. When Mum starts flirting with a fishmonger called Nick, there’s nothing for it but her to tail them with binoculars to try and unravel the adult mysteries of attraction.

Accordion Tribe: Music Travels
Five highly original musicians from different countries form the Accordion Tribe. Together they aim to reinforce the original power of the long disdained instrument. The film follows the energetic soundscapes and their performers on a journey through Europe. An extraordinarily intensive documentary on the communicative, connecting power of music.

Armin
The film follows Ibro (Emir Hadžihafizbegović) and his son Armin (Armin Omerović), who travel from a small town in Bosnia to a film audition in Zagreb, hoping to land a part for Armin in a German film about the war in Bosnia. On their way to fulfilling the boy's dream, they encounter a series of disappointing setbacks — their bus to Zagreb breaks down and they are late for the audition. After Ibro convinces the director to give the boy a second chance, they soon realize that Armin is too old for the part anyway. As it becomes obvious that Armin's dream of playing a part in the movie will never happen, he feels increasingly disheartened, while Ibro's determination to help his son grows. Finally they do get another chance, but Armin buckles under the pressure and experiences an epileptic seizure. As they get ready to head back to Bosnia, the film crew makes an unexpected offer, but when Ibro refuses, Armin at last realizes how much his father really loves him.

Muhamed
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
