InfiniMart
If you are tired of shopping within the bounds of the boring and ordinary three dimensions, you can count on Corrado, our experienced and definitely not mentally deranged salesman, to guide you through our endless aisles.
Untitled Dan Perlman Project
Feature film shooting in Summer 2026.
Same As It Ever Was
When two gunmen come for Justin Johnson, he needs to choose between casual Fridays or the things that are once in a lifetime.
Break Even
A gambler finds creative ways to put everything on the line in hopes that he breaks even.
Waiting for Godot
“[…] ‘There are several common notions surrounding *Waiting for Godot*. It is often described as an absurd text, but to me, it seems lucid and coherent; what it seeks to convey is that human beings are absurd—irrational, eccentric, contradictory, arbitrary, and nonsensical. For Sanzol, humor is one of the fundamental elements of *Waiting for Godot*. ‘It is one of the reasons I wanted to stage this play. Beckett’s humor conveys compassion for the human being, yet it makes no compromises. It is stark. It is up to the audience to decide whether or not to laugh. It does not pander. Yet it is not an arrogant humor. It is a humor that fights for human dignity, doing so by revealing the indignity in human behavior. It is a multifaceted humor,’ concludes [Sanzol]. […]” (Julio Bravo, *ABC*, April 19, 2013)
M... & F...
Loy's Circus
In a small circus deep in the Andes, a delusional performer named Loy dreams of building a miraculous show. But when his final act begins, reality refuses to behave.
Knävlingarådet och Det Knävligaste Knävlingagillet
Deviant Subculture
Synopsis Sub Budaya Menyimpang (Sirkus Koboi Absurd) is an experimental absurdist crime short film that explores the hidden world of a deviant subculture operating beyond society's moral boundaries. Through surreal imagery, dark humor, and fragmented storytelling, the film follows Ton*** as he becomes entangled in a bizarre network ruled by a mysterious Faceless Boss and enforced by a ruthless Mafia figure. Blurring the line between reality and performance, the film presents its criminal underworld as a twisted circus, where violence, loyalty, and identity become theatrical acts. Rather than offering conventional answers, Sub Budaya Menyimpang invites viewers to interpret its symbolism, questioning the nature of power, conformity, and the absurdity of human behavior within marginalized communities.