Charge! Hooligans of Hakata
Known for his striking visuals and outlandish subject matter, maverick director Sogo Ishii is considered to be the master of Japanese punk cinema. In ‘Attack!’, biker gangs meet the Japanese punk scene. Continuation of the filming of "High School Panic" after a stoppage by the production company. Awarded at the 1978 Pia FIlm Festival.
Honto ni Atta! Noroi No Video 9
The 9th installment of the popular horror series, which introduces scary images posted by general posts, is re-released along with interviews with photographers. " Includes all 3 episodes of "Abandoned Village", "School Building" and "Apartment".
V/M. Drifting
The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.
Lost Way
Collective experimental film by Team 8mm TENGOKU.
TEL-CLUB
In the summer of 1998, the filmmaker went home to Takasaki to film the birth of his brother and sister-in-law's child. Days go by and the child is still to be born. With time on his hands and no one to talk to, the filmmaker finds the phone number for a telephone date club, and calls up with an earnest de- sire: I'd like to talk to a girl. While following the conventions of film-diary form, at some point the filmmaker falls into a times pace tunnel of false memory.
Enoshima Clown
A MOVIE IN THE 8mm Film. By Akiyoshi Imazeki
Wabishabi
Director Noboru Iguchi's first 8mm film, which he shot as a high school student.
Open Eyes
Collective experimental film by Team 8mm TENGOKU.
8mm of Distance
Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.
Easter Sunday at Félines
A study of brief motion through cuts, lights, family conversations and grief in a quiet home at Félines, Ardèche. Filmed in a Keystone Americana camera from two 8mm B/W reels
Cinema Now
A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.
Water and more water
Francesca Svampa’s dreamlike portrait of Barcelona, shot in double exposure on reversible 8mm film, is interwoven with Svampa’s intimate, reminiscent telling of her personal micro-memories, as a woman, filmmaker, and immigrant.
The Girl in the Picture
Obayashi 8mm short about a man who reminisces about a girl in his past (played by Obayashi's soon-to-be wife Kyoko).
The Time Step
A portrait of the filmmakers grandmother made from self scanned 8mm footage from 1940's-1960's. Commissioned for the 2026 True/False Film Festival.
Spiral Labyrinth
Drawing animation, Reshooting 8mm Film.
Sometimes I Hear the Light Leak in Through the Corners of My Room
Heartbroken, Madeline goes out on the town ruminating on the cyclical nature of love. She passes from one thrill to another looking for answers. Relationships come and go but memories are forever.
A Secret Evening
Ito, Yoshida, Kanbara, and Harumi are high school classmates. Ito secretly has feelings for his best friend, Yoshida. Yoshida doesn't seem confused by Ito's feelings, but simply accepts them naturally. However, one night.
I Wanna Be Adored
A girl's crumbling friendship sends her into a murderous spiral.
In The Shadows
After obtaining a video camera, a serial killer starts stalking women around town.
Piano Dance
"Piano Dance shows the viewer a shadowy piano accompanied by the sound of piano music. The piano is then seen to be a toy, the headdress of a woman with hollow eyes and a pasty face who moves like a marionette in a weird dance. She is dressed as if she were a cabaret performer in black tie and tails and white gloves. The images whirl and the piano is both large and small as the camera sees it in varying scale. The protagonist does not appear to move of her own volition but by the will of another. Her dance fades, not because it is over but because we are no longer privileged to see it. One feels that it continues eternally." — Barbara Sharres, "Trance Occurrences," Chicago Reader, January 15 1982.