
The Man I Left Behind
Overview:
Larry Towell is a photographer with the prestigious Magnum agency. For 40 years, he has travelled our troubled planet, capturing the unspeakable. In this cinematic diary, he looks back on his profession, his doubts, the need for images, the absurdity of borders, the danger of “getting used to war” and the essence of his quest, which is also that of the film: humanity. Yet another impressive work by Matthieu Rytz, talented filmmaker born in Nyon!
Recommendations for you

The Killing Fields
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.

Civil War
In the near future, a group of war journalists attempt to survive while reporting the truth as the United States stands on the brink of civil war.

City of Ghosts
With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today.

2000 Meters to Andriivka
Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.

84C MoPic
An Army cameraman is embedded with a reconnaissance patrol and charts their mission across territory controlled by the North Vietnamese.

A Private War
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.

The Bang Bang Club
In the early to mid '90s, when the South African system of apartheid was in its death throes, four photographers - Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva - bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela's African National Congress.

For Sama
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

Father Soldier Son
When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.

Korengal
Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.

The War on Democracy
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".

Under Fire
Three U.S. journalists get too close to one another and their work in 1979 Nicaragua.

The Hornet's Nest
Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history: they are embed with U.S. troops during nine days of intense combat in Afghanistan.

Why We Fight: Prelude to War
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.

Salvador
In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

They Shall Not Grow Old
A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.

Control Room
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Another Day of Life
In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…

Danny Boy
Soldier Brian Wood, is accused of war crimes in Iraq by the human rights lawyer Phil Shiner. The two men go head to head in a legal and moral conflict that takes us from the battlefield, at so-called Checkpoint Danny Boy, to the courtroom and one of Britain’s biggest ever public inquiries, the Al-Sweady Inquiry.

Minamata
War photographer W. Eugene Smith travels back to Japan where he documents the devastating effect of mercury poisoning in coastal communities.
